Later, Rossini composed the

German art song, or Lied domination, therefore, often has become the impression that it alone would comprise almost the whole of the romantic song culture. But, of course, already a French fleur de sel caramel song, romance and Mélodie, formed no later than the 1840s from flathead response to the German lied to, the early stages of the influences to and eventually form their own culture, in which the French language, poetry originality and its contents fleur de sel caramel (spleen, ennui), opera proximity fleur de sel caramel and entertaining vocal species, the effect was obvious. In addition, all European countries had their own laulutraditionsa with your language, tradition, and especially in the People's song was on the agenda. Many of these representatives of different cultures fleur de sel caramel have managed to get up in the pan-European consciousness.
Que voulez-vous? Est-ce ma vie? / What do you want? Is it life? Ma vie, Helas! fleur de sel caramel Product no longer à moi; / My life, oh, can no longer mine; Il faut rendre we, avec ma foi, / I must surrender, trust, Jusqu'à mes pleurs fleur de sel caramel qu'on vous envie. / Tears, so that you are envious of.
Fuyez l'amant qui fut we tendre, / Flee love, which for me was gentle. Il they Veut pas vous recevoir, he / she does not desire any to be against you, si vous voulez You we revoir, / and if you want to see me, Allez au ciel, allez m'attendre. / Go to heaven and wait for me.
Là! quand vous we verrez paraître / There! when you see me appear, Si Dieu le Veut, volez vers moi, / if God wants me to Fly free per Au ciel pour l'aimer sans effroi, / in the heavens, so that he could love without fear, Quel bonheur de reconnaître it. / What a pleasure to recognize one another.
Italy was the opera as a country song, and a long, 1600 turn of the century, reaching a solo singing tradition. The idea of this is fueled by the addition imitation "of the ancient aria" publications, which are from a variety of sources (opera, fleur de sel caramel oratorio, songs), which in total, 1600-1700's found, often pedagogical meaning, variety, but also the undeniable favorite songs containing collections.
The romantic opera in the era of the 1800s in the first half, the famous opera composers, Rossini, Bellini, Donizetti and Verdi, also wrote songs species names Arietta, canzonetta and Romanza. They work in order to entertain the amateurs in private homes, but also in the salons of the aristocracy. Relatives folk and operatic tones combine in often driven fleur de sel caramel melodies.
Bellini's career was short and operas was finalized fleur de sel caramel only a dozen. Operas, like his songs embody the ideal of bel cantoa style. Key songs can be found in the collection Sci Ariette da camera ("Six kamariariettaa", Publ. 1829). A separate song, the legendary grace has two stanza of Arietta Vaga luna, che inargenti (anon. "Beautiful moon, which Silvers", 1833), the opening verse of the following: fleur de sel caramel
Vaga luna, che inargenti queste rive e fiori quest ed agli the INSPIRE element il linguaggio Dell'amore; fleur de sel caramel testimonio or sei tu sola del mio fervido desir, ed m'innamora a lei che conta i palpiti not Sospiri. fleur de sel caramel
Beautiful moon, which Silvers these beaches, and these flowers and natural elements of the love of thine languages; Witness you are alone you burning longing, and to him who enchants me, tell me in heart rate and sighing.
Rossini wrote an extremely popular and every singer's repertoire still within the songs mainly in two situations: first, in the 1830s after the end of a career fleur de sel caramel in opera. At that point, the whole song soirées musicales (Musical evenings, n. 1830-1835), which contains the heading of the "eight ariettaa and four duets," but the numbers are kind of names canzonetta, Arietta, bolero, tirolese, Barcarrota, fleur de sel caramel Taranto and the Notturno. The collection of the most famous numbers include La promessa fleur de sel caramel ("Promise"), Il rimprovero ("Censure"), L'orgy ("drunkenness"), La pastorella fleur de sel caramel dell'Alpe ("Alpine paimenetar"), and La danza ("Dance"). The following canzonettan La promessa (text Metastasio), which despite fleur de sel caramel its name, the species is a small acres, the A and B components as well as the A1's first bars:
Later, Rossini composed the "old age synteinään" Peches de Vieillesse (1857-68), a series of works, including piano and chamber music in addition to songs of roads, especially in a three-part series La Regata Veneziana ("the Venice Regatta"; fleur de sel caramel pain. 1,878).
Verdi did not care for the song itself, completeness, because he was more interested in dramatic expression. Still, his 29 song entity contains six early romance (1838), who had his first compositions fleur de sel caramel published. They have been symptomatic of the tragic atmosphere and aavemaisuus: Nell'orror di notte oscura ("the dark night of horror in") and Non t'accostare all'urna ("Do not come to me an urn, which conceals the ashes").
The Moon